The monochrome exhibition at the National Gallery - Rembrandt's Ecce Homo alongside a print by Jan Van Vliet, his engraver. The image is flipped and some parts of it in reverse gain strength, others lose. The man beckoning to the crowd is more noticeable in the print, as is the man in the turban in the centre of the picture.
It's like flipping a chess board online - you see all sorts of possibilities, for losing as well as winning.
It's like flipping a chess board online - you see all sorts of possibilities, for losing as well as winning.