Antwerp Cathedral has two Rubens' masterpieces. In The descent from the Cross below: Christ is dead and all life has gone from him yet he is still the source of light and centre of the painting despite the brilliant colours of people's clothes around him. (Cannot take credit for this brilliant thought - it was drawn to my attention this morning.)
Thursday, 30 April 2015
Cathedrals and an inner life
Antwerp Cathedral has two Rubens' masterpieces. In The descent from the Cross below: Christ is dead and all life has gone from him yet he is still the source of light and centre of the painting despite the brilliant colours of people's clothes around him. (Cannot take credit for this brilliant thought - it was drawn to my attention this morning.)
Thoughts on pilgrimage from Gerard W. Hughes
En famille in Antwerp
Jan Vekemans/Cornelis de Vos |
Elisabeth Vekemans/Cornelis de Vos |
Maria Vekemans/Cornelis de Vos |
Maria Vekemans/Cornelis de Vos |
Portrait of Joris Vekemans/Cornelis de Vos |
Sunday, 5 April 2015
Good Friday and a story of sacrifice in Sancreed
Good Friday - and like John Donne we are travelling west, not east.
This day, when my Soules forme bends toward the East.
Spring in the graveyard at Sancreed Church - and inside a meemorial
It's a monument to Alexander Stanhope Forbes, son of the famous painter William Alexander Stanhope Forbes.
He was killed weeks after arriving in France in 1916. His father had painted a portrait of him before he left, but the paint had not dried by the time of his death.
This cross was erected where he died on ground subsequently lost to the Germans. When the position was re-taken, the cross was found intact and eventually transported back here to Sancreed.
Earlier in the week, went back to the Royal Academy to see the Rubens exhibition.
Some paintings for Good Friday there.
More about Alexander Stanhope Forbes
FORBES, William Alexander Stanhope (Alec). Second Lieutenant. 1st Battalion Duke of Cornwall’s Light Infantry. Enlisted in early 1916 and selected for officer training. Originally commissioned into the Military Forwarding Establishment but then transferred to DCLI. On or about 29th August 1916 he crossed to France and joined 1 DCLI with four other young 2nd Lieutenants. On 3rd September 1916 the Battalion took part in the final attack on the notorious Guillemont strong point. The village of Guillemont had been totally razed by shellfire but, because it represented vital tactical ground had been very heavily defended. Already three major attacks had been thwarted at considerable cost of life. This fourth attack was entirely successful and was accomplished with comparatively few casualties. However, amongst those who were killed was Alec Stanhope Forbes, age 23, together with three of the four newly joined subalterns (W.T. Hichens, E. G. T. Kitson and J.G. Teague) who had accompanied him to France. Educated at Bedales College. He was a student of the Royal Architectural Association. Only son of Stanhope Alexander Forbes (Artist) and Elizabeth Adela Forbes (Artist) of Higher Faugan, Newlyn. Interred in Guillemont Road Cemetery, Guillemont, France. Listed on Newlyn War Memorial, on family plaque within Sancreed Church, on Paul Church War Memorial, Tredavoe Methodist Church Memorial and in Penzance Book of Remembrance. On his headstone in Guillemont his parents added the following inscription:- He saw beyond the filth of battle and thought death a fair price to pay to belong to the company of these fellows.
Thursday, 19 March 2015
The Pilgrim's Prayer and the Camino de Santiago
Hadn't been on Ship of Fools for some time - years even!
"Lord, you called your servant Abraham out of Ur of Chaldea and watched over him in all his wanderings; you guided the Jewish people through the desert: we ask you to watch over your servants here who, for love of your name, make the pilgrimage to Santiago de Compostela. Be for us, a companion on the journey, direction at our crossroads, strength in our fatigue, a shelter in danger, resource on our travels, shadow in the heat, light in the dark, consolation in our dejection, and the power of our intention; so that with your guidance, safely and unhurt, we may reach the end of our journey and, strengthened with gratitude and power, secure and happy, may return to our homes, through Jesus Christ, our Lord. Apostle James, pray for us. Holy Virgin, pray for us."
Sunday, 15 March 2015
Renaissance spring
Friday, 13 March 2015
Thursday, 12 March 2015
Wednesday, 11 March 2015
Terracotta at the Frari
Remember hearing Fiona Shaw talking about tthe Titian this time last year, just before Easter - The Testament of Mary was about to start at the Barbican.
Curiously then, like this year, I'd just been reading Carole Stone. This year it's The Celibate Season - an epistolary novel she wrote with Blanche Howard.
Very interested to read an article suggesting the origin of 'a celibate season' came from St Paul in a letter to the Corinthians; celibacy offers the chance for reflection and prayer, he says.
The few celibate people that I've known have been very wise - as if being removed from the hurly burly of passion offers the chance for deep thought.
But St Paul does advise against abstaining for long - 'that Satan tempt you not for your incontinency'.
Tuesday, 10 March 2015
Silk, Veronese and a street market
Wonderful to see Veronese's dazzling ceiling paintings of Saint Esther at San Sebastiano (VEroniese's parish church) in Venice.....the usual stormy skies and swirling rich fabrics.... then this heap of brocades in a nearby street stall....
Saturday, 7 March 2015
Snow on Trafalgar Square
Though inside the National Gallery there are lots of snow scenes at the Inventing Impressionism exhibition. Very exhilarating paintings and not really about winter at all - all that light is more about adventure and promise perhaps.
Fox Hill, Upper Norwood/Camille Pisarro |
The Train in the Snow/Claude Monet |
Lavacourt under Snow/Claude Monet |
The Watering Place at Marly-le-Roi/Albert Sisley |
Monday, 23 February 2015
Mother/daughter faux fur
Mother (I think) and daughter, reunited - the daughter - with her yellow wheely suitcase (hidden) had clearly been away for a few days.
They laid their heads on each other's shoulders from time to time, both wearing lovely fur jackets - such a bond - such companionship and love.
Sunday, 22 February 2015
Prep for a journey to Venice
Pilgrimages are not, of course, always religious.
Canaletto's paintings at the National Gallery take the breath away.
Later a friend gives me a book by Jan Morris on Carpaccio - which J.M. light-heartedly dismisses as a 'self indulgent caprice' but which really points to the depth of his paintings.
Great spring flowers here to lift the spirit: and an intense attention to detail, as in Canaletto.
Everything seen in a clear and bright light. A great metaphor for looking at life.
Saturday, 21 February 2015
Friday, 20 February 2015
Flowers at the dentist
Flowers in the dentist waiting room lift the spirits, I must say. Ill or tired: flowers are always good.
Tuesday, 17 February 2015
More about a Hinge Feast
From Lucy Winkett's sermon at St James's Piccadilly (these sermons are available to download from the church website - an amazing idea):
And today is a hinge day in the liturgical
year. With Simeon’s words to Mary
foreshadowing the tragedy of Jesus’s life,
we turn today from the cradle to the cross.
Tuesday, 10 February 2015
More spring flowers for the sick
There are cones for packing sales and albarelli - i.e. covered ceramic storage jars - for the spices.
It was closed when I went: a new pilgrimage is in order.
Apparently St Michael Archangel is sometimes depicted with a balance in medieval paintings of pharmacies, as his usual task is weighing souls in the balance - so he has a lot of practice of measuring things out - mercy, though I suppose (not medicine).
Monday, 9 February 2015
Sunday, 8 February 2015
Mimosa and Mediterranean spring
Even a small sprig of mimosa (pulled from a bush on Perrers Road) is enough to remember journeys to Italy and Spain just about now - first blossom and signs of spring. Last Sunday - Candlemas - was a 'hinge feast'' in the liturgical calendar, half way between Christmas and Easter.
Below: Milan, March 2014.
Saturday, 7 February 2015
An early morning conversation at Paddington Station
And to my astonishment see that he can now speak: this is a 'speaking statue'.
Despite the fact that it's 640am and they have been unable to serve tea on the train due to 'scheduling issues' - stop to listen.
It's very moving: I recommend it.
There's something poignant about this statue: I think it's because the soldier is caught in the moment, a letter in his hand, his head slightly bowed as he reads.
The other 'caught in the moment' work of art I can think of is Piero della Francesca's painting of Christ's baptism - in the National Gallery.
Christ stands still and ready to be baptised but behind him - just at that very instant, a man is pulling his shirt over his head, crystallising the moment.
Reading and watching
- Foot by Foot to Santiago de Compostela/Judy Foot
- The Testament of Mary with Fiona Shaw at the Barbican
- The Testament of Mary/Colm Toibin
- Schwanengesang/Schubert - Tony Spence
- Journals/Robert Falcon Scott
- Fugitive Pieces/Ann Michaels
- Unless/Carol Shields
- Faust/Royal Opera House
- The Art of Travel/Alain de Botton
- Mad Men Series 6
- A Week at The Airport/Alain de Botton
- The Railway Man/Eric Lomax
- Bright Lights, Big City/Jay McInerney
- Stones of Venice/John Ruskin
- The Sea, the Sea/Iris Murdoch
- Childe Harold/Lord Byron
- All The Pretty Horses/Cormac McCarthy
- Extreme Rambling/Mark Thomas
- Story of my Life/Jay McInerney
- Venice Observed/Mary McCarthy